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Italian literature --- Regional documentation --- Medici, de, Cosimo III --- Netherlands --- Medici, de', Cosimo III
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Art --- Literature --- artists [visual artists] --- poets --- anno 1500-1599 --- Florence --- Poetry --- Italian literature --- hofcultuur
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Italian comedians attracted audiences to performances at every level, from the magnificent Italian, German and French court festival appearances of Orlando di Lasso or Isabella Andreini, to the humble street trestle 'lazzi' of anonymous quacks. The characters they inspired continue to exercise a profound cultural influence, and an understanding of the 'commedia dell'arte' and its visual record is fundamental for scholars of post-1550 European drama, literature, art and music. The 340 plates presented here are considered in the light of the rise and spread of 'commedia' stock types, and especially Harlequin, Zanni and the actresses. Intensively researched in public and private collections in Oxford, Munich, Florence, Venice, Paris and elsewhere, they complement the familiar images of Jacques Callot and the Stockholm 'Recueil Fossard' within a framework of hundreds of significant pictures still virtually unknown in this context. These range from anonymous popular prints to pictures by artists such as Ambrogio Brambilla, Sebastian Vrancx, Jan Bruegel, Louis de Caulery, Marten de Vos, and members of the Valckenborch and Francken clans. This volume, essential for 'commedia dell'arte' specialists, represents an invaluable reference resource for scholars, students, theatre practitioners and artists concerned with 'commedia'-related aspects of visual, dramatic and festival culture, in and beyond Italy.
Theatrical science --- Drama --- Italian literature --- commedia dell'arte --- anno 1500-1599 --- anno 1600-1699
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Italian literature --- anthologies --- correspondence --- anno 1400-1499 --- anno 1500-1599 --- Italy
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Comparative religion --- humanism --- Art --- Adonis --- anno 1500-1599 --- anno 1400-1499 --- Italian literature --- Adonis (Greek deity) --- History and criticism --- Poetry --- Adonis [Mythological character] --- Italian literature - History and criticism --- Adonis (Greek deity) - Poetry --- invloed van antieke kunst
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The volume presents a wide-ranging investigation of the ways in which Petrarch’s legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch’s vast literary production influenced the intellectual framework in which new models of representation and self-representation developed during the Renaissance. His two sonnets on Laura’s portrait by Simone Martini and his ambivalent fascination with the illusionary power of portraiture in his Latin texts — such as the Secretum, the Familiares and De remediis utriusque fortune — constituted the theoretical reference for artists and writers alike. In a century dominated by the rhetorical comparison between art and literature (ut pictura poësis) and by the paragone debate, the interplay between Petrarch’s oeuvre, Petrarchism and portraiture shaped the discourse on the relationship between the sitters’ physical image and their inner life. The volume brings together diverse interdisciplinary contributions that explore the subject through a rich body of literary and visual sources.--site éditeur
Portraits (peinture) --- Portraits (genre littéraire) --- Art et littérature --- Pétrarque --- Influence. --- Art --- Italian literature --- influence --- kunst en poëzie --- portraits --- Petrarca, Francesco --- anno 1500-1599 --- Italy
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